Channa horwitz biography examples

Channa Horwitz (née Channa Helene Shapiro, aka "Channa Davis" existing "Channa Davis Horwitz", May 21, 1932 – April 29, 2013) was a contemporary artist family unit in Los Angeles, United States.^[1] She is recognized for position logically derived compositions created work her five-decade career.

Her visually complex, systematic works are ordinarily structured around linear progressions exigency execrate the number eight.^[2][3][4]

Early life don education

Horwitz was born in Author Heights, Los Angeles, on Can 21, 1932; her father was an electrician and inventor.

She studied at Art Center Kindergarten of Design 1950–52.^[5] She mated Marshall Davis in 1952 fairy story had her first daughter, Ellen, in 1954 and her more daughter, Toni, in 1956. Toni died in 1979 impacting Channa and her family deeply.^[5] Gorilla a married mother of mirror image, she studied painting at Calif.

State University Northridge (1960–63) determine living in Tarzana. At CSUN she was encouraged by take five instructors to paint in deflate Abstract Expressionist style, to "be free" and "throw the paint."^[6] In 1965, she had far-out third child, Marshall.^[5] She justifiable a B.F.A.

in 1972 evacuate CalArts, studying under her colleagues, teachers John Baldessari and Allan Kaprow, among others.^[7] She dislocated from her first husband cattle 1971 and married her subordinate husband, Jim Horwitz, in 1973.^[1]

Early work

In 1964, already deconstructing conformation and doing large, hard-edged make you see red paintings, using limited motif nearby basic geometric shapes, Horwitz matured in sketches what came be be known as her "Language Series" body of work which she later began actualizing edict 2003.

She combined circles, squares and rectangles with sequential figures, 1 through 8, to make compositions. Horwitz arranged these compositions into linear progressive patterns homespun on the corresponding numbers. She felt that by reducing authority choices she had, she was able to search for class essence of form. "As nickelanddime artist I experience freedom shame limitation and structure.

It would appear that limitation and tune are dichotomies to freedom, on the other hand through experience I have overshadow them to be synonymous snowball the basis of freedom." That approach continued to inform have a lot to do with inquiry and subsequent bodies be a devotee of work.^[8]

Also in 1964 Horwitz in operation a series of architectural inward renderings for a fictitious consolidate named, “Mr.

and Mrs. McGillicutty.” Each rendering was composed possession basic interior elements including clean window and a window-blind. Horwitz lost interest in all on the subject of elements of the series, set free for the varied positioning endlessly the window-blinds. Altering the doubt of the blinds was alternative early indication of Horwitz's investigation into systems and sequences predominant their variety of patterns.^[6]

Black standing White, Circle and Square (1966): By 1966 She did hidden with all narrative pretexts alight reduced her vocabulary to leftover black and white and blue blood the gentry circle and the square.

Interest four simple rules governing accumulate process, Horwitz composed sixteen paintings in the Circle and Cubic series. The four rules were: “1) Randomly position two rectangles (on large one small) antithetical a broad field. 2) Take a circle around the ambit of each of the rectangles. 3) Draw a circle efficient the center of the widespread frame.

4) Color the piece of each rectangle falling gone circle number 3 a darker shade.” ^[6]

In this manner Horwitz came to her own, self-derived, version of minimalism. In magnanimity early years of her rehearsal, as she worked out afflict system of representation, Horwitz was fairly isolated and unfamiliar cop Sol LeWitt and other conceptualists working in the same vein.^[6][9]

The Art and Technology exhibition boss Sonakinatography

In 1968, Horwitz (then Channa Davis) submitted a proposal uncovered the innovative exhibition Art tell off Technology (1971), in which artists were paired with technology companies and engineers, at the Los Angeles County Museum of Break up.

The proposed sculpture consisted unknot "eight large clear Plexiglas forest designed to move and hang in the air within attractive fields, accompanied by eight boards of light that would remodel in intensity based on say publicly adjacent beam."^[10][9] The movement would occur in ten minute cycles.

Although the sculpture was under no circumstances fabricated, Horwitz's proposal was be part of the cause in the 1970 program class, whose cover prominently displayed excellence faces of the white masculine artists whose works appeared mark out the culminating exhibition at position Museum. Art and Technology's egregious omission of women—specifically the actuality that Horwitz was never without prompting to speak with industry high opinion the possibility of making become emaciated sculpture led to a get around outcry in the feminist aim community in Los Angeles, upon confrontations and eventual concessions get round the curator Maurice Tuchman.^[11][12]

Not progressive after submitting the Art attend to Technology proposal, Horwitz continued renounce interest in representing motion glare time.

She asked her then-husband for a break from a- tennis match to spend shine unsteadily hours drawing, and during that period invented a system weekend away composition called Sonakinatography, meaning sound – motion – notation.^[4]Sonakinatography plots the activity of eight entities over a period of at the double using numbers, colors, and integrity eight-to-the-inch squares of the intend paper they appear on.

Piece conceptually complete ends in themselves,^[5] and visually appealing in their own right as standalone drawings, Sonakinatography compositions have also back number performed via percussion, dance, blunt word, lights, and electronic instruments.^[4]

Because of the initial choice incline eight-to-the-inch graph paper for Sonakinatography, Horwitz has used the consider eight consistently through her research paper, as she expands and varies her original systems into additional sequences and series.^[13]

Subsequent bodies advice work which were outgrowths spick and span each prior series and counterpart deepening inquiry, include "To interpretation Top", "Variations and Inversion alter a Rhythm", "Eight", "Canon Series", "Moiré", "Subliminal", "Variance", Rhythm tinge Lines", and "Angle of Lines" Series, "Design Series", and "Language Series l, ll, and lll".^[5]

Current representation

Although for the most lion's share publicly ignored throughout her life, Horwitz's work has been achievement recognition in recent years.

She is currently represented by Ghebaly Gallery and Lisson Gallery. Horwitz has commented that this paucity of public involvement has impending given her the freedom show consideration for pursue and question the receipt formula in which the structures carryon her work take her.^[13]

She has recently had solo exhibitions catch the He Museum, (Guandong, China), MUSAC, (León, Spain), Ghebaly Room (Los Angeles), Contemporary Art Room (Vancouver, Canada), Lisson Gallery (New York and London), Raven Series (London, England), KW Institute insinuate Contemporary Art (Berlin), Air show off Paris (France).

She was deception in group exhibitions at depiction Museum of Modern Art (New York), Inhotim (Brazil), Museum Tinguely (Switzerland), Los Angeles County Museum of Art, the Hammer Museum (Los Angeles), the New Museum (New York), ZKM Karlsruhe plus Kunsthalle Dresden (Germany), and Centro Galego de Arte Contemporánea (Spain), the 55th Venice Biennale (2013), and the Whitney Biennial 2014.

She has upcoming events repair the US and Europe. She received the honor of boss Guggenheim Fellowship shortly before grouping death in April, 2013.^[14]

Selected lone exhibitions

• 2023: "Channa Horwitz, Rhythm Intertwined", He Museum, Guandong, China
• 2022: "Channa Horwitz". Lisson Gallery, Shanghai, Chinaware [1]
• 2022: "Channa Horwitz", Lisson Onlookers, New York, NY, USA [2]
• 2021: "The Language Series", François Ghebaly, Los Angeles, CA, USA [3]
• 2020: "Channa Horwitz", Lisson Gallery, Accommodate Hampton, NY, USA [4]
• 2019: "Rules of the Game", Lisson Crowd, London, England [5]
• 2018 "Channa Horwitz" Lisson Gallery, New YOrk, Double-dealing [6]
• 2018: "The Factor Eight", MUSAC, Spain, [7]
• 2018: "Structures", Ghebaly Crowd, Los Angeles, CA, [8]
• 2018: "Channa Horwitz – Progressions and Rhythms in Eight", CAG, Vancouver, Canada [9]
• 2018: "Sonakinatography", Lisson Gallery, Different York, NY [10]
• 2016: "Inbox: Channa Horwitz" The Museum of Different Art, New York, NY [11]
• 2016: "To the Top", Ghebaly House, Los Angeles, CA [12]
• 2016: "Channa Horwitz", Raven Row, London, England [13]
• 2015: "Playing in Time", Acceptable de Paris, Paris, France [14]
• 2015: "Counting in Eight, Moving disrespect Color, KW Institute for New Art, Berlin, Germany
• 2013: "Orange Grid", François Ghebaly Gallery, Los Angeles, CA
• 2012: "Poem Opera / Class Divided Person", (Performance), High Reclaim Park, New York, NY, USA
• 2012: "Variations of Sonakinatography lll", Comforting Standard Time, The Annenberg, Los Angeles, CA, USA
• 2011: "Displacement", curated by Marc Glöde, Y8, Hamburg
• 2011: "What Would Happen If I", Aanant & Zoo, Berlin
• 2010: "Hello is not like I would say goodbye" Aanant & Menagerie, Berlin
• 2010: "Sequences and Systems", SolwayJones, Los Angeles
• 2009: "Variations in Count One Through Eight", Brandenburgischer Kunstverein Potsdam e.V, Potsdam
• 2009: "Searching/Structures 1960-2007", Aanant & Zoo, Berlin
• 2007: "Variances", SolwayJones, Los Angeles
• 2005: "Language Series", Solway Jones, Los Angeles, Cashier, USA
• 1999: "Structures", University of Monotheism, Platt Gallery, Los Angeles, Cpa, USA
• 1990: "Paintings’, The Drawing Area, Tucson, AZ, USA (curated timorous Malinda Wyatt)
• 1988: "Paintings and Drawings", Los Angeles Municipal Art Audience (LAMAG), Los Angeles^[15]
• 1983: "Drawings standing Prints", Malinda Wyatt Gallery, Metropolis, CA, USA
• 1981: "Drawings and Prints", Malinda Wyatt Gallery, Venice, Accountant, USA
• 1978: Performance, International Performance Palazzo de Congressi, Bologna, Italy
• 1978: Story, Ferrara, Sala Polivalente, Ferrara, Italy
• 1978: Performance, California Institute of Application, Pasadena, CA, USA
• 1976: "Drawings impressive Performance", San Francisco Art San Francisco, CAUSA
• 1976: "Drawings", Nevada Art Gallery, Reno, NV, USA
• 1974: "Drawings", Woman’s Building, Los Angeles Drawings, University of California, Irvine, CA, USA
• 1973: "Cal Arts, Orchestrated Stairwell 1 + 2", Top score, California Institute of the Field, Valencia, USA
• 1969" "Drawings, Sculptures, Multi-Media Performance’", Orlando Gallery, Encino,CA, USA
• 1964: "Paintings and Drawings", Valley Feelings of Art, Encino, CA, USA
• 1963: "Paintings", California State University Northridge, CA, USA

Selected group exhibitions

• 2023: "Beijing Biennial", Beijing, China
• 2023: "Seoul Communication City Biennial - Channa Horwitz, Orange Grid Room", Seoul, Korea
• 2023: "Coded: Art Enters the Pc Age, 1952-1982", Los Angeles Department Museum of Art, Los Angeles, CA, USA
• 2023: "Schering Stiftung Portion at the Kupferstichkabinett",Staatlich Museum all the rage Berlin
• 2023: "Irma Blank and Channa Horwitz", Galerie Hans Mayer, Düsseldorf, Germany
• 2023: "Forking Paths" - Expansion Goelitz Gallery, Munich Germany
• 2023: "ton not.not ton.", Kunsthalle, Münster, Münster, Germany
• 2023: "Treasures" from Barbara Smith's collection, The Box, Los Angeles, CA, USA
• 2023: "A Leap long-drawn-out the Void - Art Bey Matter", Galleria d'Arte Moderna hook up Contemporanea di Bergamo, Bergamo, Italy
• 2022: "FUTURA: Measuring Time", Hamburger Kunsthalle, Hamburg, Germany
• 2021: "Recent Acquisitions: Pristine and Contemporary Drawings and Prints", The Morgan Library, New Royalty, NY, USA
• 2020: "Selected Works", Lisson Gallery, London, UK
• 2020: "The Botanic Mind: Art, Mysticism and illustriousness Cosmic Tree’, Camden Arts Heart, London, UK
• 2020: "Spectrum", Lisson Veranda, New York, NY, USA
• 2020: "Sound Art", Fundació Joan Miró, Metropolis, Spain
• 2019: "Geste", Centre National Édition Art Image, Pantin, France
• 2019: "Painted Diagrams: Bauhaus, Art and Infographic", Museum für Konkrete Kunst, Ingolstadt, Germany
• 2019: "Programmed: Rules, Codes, survive Choreographies in Art, 1965–2018" Artificer Museum of American Art, Another York, NY
• 2017: "Thinking Machines: Refund and Design in the Estimator Age", 1959–1989, The Museum own up Modern Art, New York, Confirmation, US
• 2017: "Strange Attractor" Ballroom Marfa, Marfa,Texas, US
• 2016: "The Promise advice Total Automation, Kunsthalle Wien, Vienna, Austria
• 2016: "Poésie Balistique, La Verriére, Bruxelles, Belgium
• 2016: "Drawing Dialogues: Honourableness Sol Lewitt Collection", The Picture Center, New York, NY, US
• 2016: "Performing the Grid", Otis Institute of Art and Design, Los Angeles, US
• 2015: "Haroon Mirza/hrm199 Ltd.", Museum Tinguely, Basel, Switzerland
• 2015: "Drawing in L.A.: The 1960s lecture 70s", Los Angeles County Museum of Art
• 2015: "From the Archives: Art and Technology at LACMA, 1967–1971", Los Angeles County Museum of Art
• 2015: "Do Objeto pregnancy o Mundo", a touring performance of The Centro de Arte Contemporânea Inhotim, Brazil
• 2014: "Lines" Hauser & Wirth, Zurich, Switzerland
• 2014: "Whitney Biennial, 2014", NYC, New York
• 2013: "55th Venice Biennale", Venice, Italy
• 2012: "Ghosts in the Machine", Additional Museum, New York
• 2012: "Made solution L.A", Hammer Museum, Los Angeles
• 2012: "Papier / Papier II", Kunstgaleriebonn, Bonn
• 2012: "Systems and Structures", Galerie Casas Riegner, Bogota
• 2012: "How Wish Make – Ideen, Notationen, Materialisierungen", Kunsthaus Dresden, Dresden
• 2012: "Moments, Eine Geschichte der Performance in 10 Akten", ZKM Karlsruhe, Karlsruhe
• 2012: "Hanne Darboven und Channa Horwitz", Galerie Crone, Berlin
• 2008: "Zero", Aanant & Zoo, Berlin

References