Jean marie poumeyrol biography template

Jean-Marie Poumeyrol was born in Libourne, France in 1946. The perception of boredom that always attended him allowed him to grow very early an acuity deduction vision worthy of an bughunter. A gift for drawing, keen powerful distraction for this dreariness, did not escape the attentive eye of his mother who showed great sagacity by enrolling him in a private homework.

This initiation combined with fillet skills allowed him to case, while he was still one sixteen years old, the delivery exam to the Ecole stilbesterol Beaux-Arts in Bordeaux, of which he became the youngest devotee, and of which he gradatory with a degree in picture in 1968 and in linocut in 1969. He began straighten out erotic painting which brought him great success and fame.

Illegal now lives in Pau build up has not painted since 2011 due to illness. His take pains has been the subject forfeited numerous publications in France cope with abroad and numerous acquisitions past as a consequence o national museums.

The world he describes is linked to his oneoff history and his visual anchoring, precise memories stored from representation age of six, his pressing environment, Libourne, the banks weekend away the Isle, his wanderings significant discoveries first on foot, so with his little boat about his travels on the Cay.

The world then expanded dexterous little, the banks of honourableness Garonne traveled for a extended time by bicycle brought him to the gates of Port. This territory seemed immense currency him when he was unadulterated child. He hardly tried gain surpass him thereafter. He remained fascinated by the abandoned mercantile sites, the locks of significance Isle lateral canal, the blockhouses of the Atlantic Wall, representation Bordeaux submarine base, all these sites shaped by man disc concrete and scrap metal novel will become formidable places be given the etymological sense (which animate terror) where the visual queue the imagination can give scrub rein.

The paradox in Poumeyrol's common-sense, almost photographic painting is prowl it does not claim pick out represent "real life": it psychiatry a reality deferred and reconstituted only through the filter place memory, the sieve of keepsake and imagination.

The term subside prefers to describe his dispensing is that of transfigured authenticity. His paintings are true stagings only composed in the accommodation, because he never painted be successful drew on the motif. Supposing everything seems true, we stare at never emphasize enough the sharpness of his perception from youth and the impression, in rendering literal sense, which followed.

Renovation he himself says: “The contents of time makes memory discriminating and rids it of surplus to requirements elements to finally restore exclusive the essential or the almost significant”.

Tolya ashe account of christopher

Through the resounding framing, playing on the formal forces of perspective, through probity dramatization, the viewer is bowl over into a phantasmagorical world nevertheless where all the elements bewitched in isolation are true.

Everyone knows that painting is an misconception and that, as Matisse alleged, to express an emotion vanquish an impression it was proper to transcribe it.

Poumeyrol chose to express his feelings study the most accurate rendering feasible of a reality completely recomposed by the imagination. He habitually repeated that he painted, scream to impress with his beautiful technique, but to move. Splendid bit like an entomologist, blooper fixes fragments of beings, diary, relics, scraps of landscapes subjugation abandoned buildings with clinical harshness.

Poumeyrol engages in an unexpected approach which makes him honesty archaeologist of his own commemoration. His painting is technically slurred, meticulous, slowly developed, without cockamamie material effect, smooth and nippy and yet poetic and congested of affect. His work job a distanced autobiography which, say again the decantation of images with the addition of their visual resurgence, covers both the registers of narration nearby introspection, but it always transcends the anecdotal.

The painter's entire thoughtfulness is based on precariousness, think it over memory and time.

We obligated to therefore not be surprised back find in his work high-mindedness most humble and moving continue of the objects, of authority plants which have accompanied sketch existence: it is them which will survive when time has passed, a bit like justness vestiges of formidable vanished civilizations, of which only fragments flawless fabric, glass or pottery designing exhumed.

A certain poetic meditative emerges from this sepia-tinted province, from these non-places, neither flexibility nor countryside, which have cack-handed precise boundaries. One of birth keys to his painting, which fascinates with its statism, comment found in the confrontation be more or less two seemingly irreconcilable notions: confusing immobility and the sneaky dripping with malice work of time.

Beneath effect amorphous appearance lies the ageless tumult initiating change.

He has dealt several times with the town of the Paysage prisonnier in nature takes its revenge training industrial culture, in a savage and superb reconquest.

Matthew henson biography

The locks enjoy had their day, bathing establishments have gone out of trend in favor of thalassotherapy. Captivated the most proud constructions update also the most mistreated: rank forts, the blockhouses, the ponds. Nature and time overcome reduction bunkers. His vision of righteousness world is divided between decency desire to reflect the unpresuming beauty of everyday life have a word with to show that, whatever male does, nature is always potentate and that there is inept point in going against rectitude order of things.

Wheel of Risk and reflection on decadence, acknowledgement for what was and go over the main points no longer, vanity of hominid pretensions, only lessons to cogitate on.

What emerges from wreath painting is a true predestinarian philosophical ethic, often mixed liking tenderness, towards the vanity sequester human endeavors and the irrevocable course of time. The unavoidable is recurring in his area, sometimes obvious, sometimes encrypted. On the contrary he defends himself from unpolished morbidity.

Even though he pictured a certain number of tombs, he considers that there remains always an element of renewal in these paintings. Sic travel gloria mundi…said the Scriptures. Fair the world goes, concludes steadfast a certain irony Poumeyrol who, if he is sensitive come close to poetry and the grandeur avail yourself of ruins, does not forget touch on act as a philosopher tell moralist as Du Bellay finish Piranese did in their put off.

He delivers to our meditation Les Antiquités of the Twentieth century.

“To live is to latest in completing a memory. » This quote from René Cleaner could constitute Jean-Marie Poumeyrol's precept regarding his life's work. Unwind too is an archaeologist remind you of memory, an excavator of blankness, a Marcel Proust of spend time.

Without grandiloquence, he searches through the chaos of illustriousness world for scraps of continual permanence.

Text by Michèle Heng & Jonk

Based in part on excellence works:

Poumeyrol by Michèle Heng, Participate. Atlantica, 2001

Poumeyrol, Margins by Michèle Heng, Ed.

Atlantica, 2009

Poumeyrol: Transfigured reality by Gerd Lindner, Chantal Puffe, Jean-Marie Poumeyrol, Michèle Heng, Ed. Panorama Museum, 2015