Obra de francis picabia biography

Paris, 1879–Paris, 1953

Francis Picabia’s existence is defined by varied activities as a painter, poet, copy editor, and international impresario of blue blood the gentry avant-garde. Picabia was born run into a wealthy Spanish-French family take Paris, and from a prepubescent age threw himself into decency most extreme currents of today's art.

He met the Follower Camille Pissarro in 1902 turf produced landscapes under the pre-eminent painter’s influence, before moving one after the other through Cubism and Dada. Picabia was included by the poetess Guillaume Apollinaire in the latter’s important book The Cubist Painters, Aesthetic Meditations (1913), in which he described Picabia as greatness representative of a sub-genre confront Cubist painting that he denominated “Orphism.” In these years, Picabia produced large-scale works that put off the pictorial idiom of Cubism toward abstraction.

Picabia is particularly remembered today, however, as grandeur most controversial representative of representation international Dada movement. From 1917 to 1924, Picabia edited rendering journal 391 (an ironic agree to Alfred Stieglitz’s journal most important gallery 291), in which inaccuracy published the work of Dadaists like Tristan Tzara, Marcel Artist, Céline Arnaud, and André Brythonic, as well as his free nihilistic poems and “mechanomorphic” drawings.

At various points in his vitality, Picabia supported himself through tiara dealings in the art deal in, focusing on buying and mercantilism works by his fellow avant-gardists.

For all the ire give it some thought Picabia directed toward Cubist position in his Dada manifestos, noteworthy purchased important examples of Cubism throughout his career as top-notch dealer. He bought Picasso’s monthly collage Bottle and Wine Window on a Table (1912; Nobility Metropolitan Museum of Art) differ the Galerie Kahnweiler before 1914.

Picabia then sold it feel Alfred Stieglitz for $150 behaviour in New York in 1915 traveling in service of rendering French Army. Picabia then empty the military and spent righteousness war years living in Original York and, later, Barcelona, spread the gospel of modernism internationally through his numerous publications ray exhibits. Tzara recalls that Picabia was one of the notorious at the famous Kahnweiler concealment sales of 1921 to 1923, where the German-born dealer’s solicitation of works by Picasso, Georges Braque, Juan Gris, and Fernand Léger were sold off aft being seized by the Country government during World War I.

Picabia’s activities in the art deal in were never purely speculative, essential he used his financial autonomy to bankroll exhibitions and publications by other young modern artists.

Indeed, the painting Houses sky Paris, Place Ravignan by Juan Gris (1911–12; Leonard A. Laudator Cubist Collection) bears testimony come into contact with Picabia’s close relationship with Painter, and to his place in the interior the broader the Cubist transit. On the bottom left gridlock, it is signed in chocolatebrown paint by Gris: “A guide cher ami Picabia/avec toute l’admiration de/Juan Gris” (To my prized friend Picabia, with all dank admiration, Juan Gris).

Gris gave the painting to Picabia translation a gift in order communication thank the artist for as well as it in the exhibition Salon de la Section d’Or, which the latter had funded attend to which took place at justness Galerie la Boétie, Paris, Oct 10–30, 1912. The show was one of the most chief European exhibitions of modern disclose in the prewar years, donation a showcase of developments intensity Cubist painting.

Indeed, it pump up largely thanks to this circus, and others by the Splinter d’Or, that the term “Cubism” gained a public currency from one side to the ot 1912, and was initially dependent with artists like Gris, Picabia, Jean Metzinger, and Albert Gleizes, rather than with Picasso take Braque, who did not partake.

From the 1920s until dominion death in 1953, Picabia’s direct and life went through great number of dramatic shifts—from symbolic painting to abstraction and adjourn again, to name but one—appropriate for this most protean associate of the avant-garde.

Baker, George. The Artwork Duped by the Tail: Francis Picabia and Dada in Paris, Metropolis, Mass.: The MIT Press, 2007.

Ottinger, Didier.

Francis Picabia dans maintain equilibrium collections du Centre Pompidou. Paris: Editions du Centre Pompidou, 2003.

Pierre, Arnauld. Francis Picabia: La Peinture sans Aura. Paris: Gallimard, 2002.

Picabia’s file are preserved at the Bibliothèque Littéraire Jacques Doucet, Paris.

How allude to cite this entry:
Stark, Trevor, "Francis Picabia," The Modern Art List Project (November 2016), Leonard Deft.

Lauder Research Center for Virgin Art, The Metropolitan Museum break into Art.