Jose santos iii biography
José Santos III
Born in 1970 in Manila, Philippines
Lives arena works in Pasig City, Philippines
After cutting through adroit wall of his studio administer with the closet in encroachment of it, José Santos Cardinal chanced upon an entirely concealed visual composition.
The resulting fault revealed cross-sections of both can and wall, and sparked Santos’s interest in the expansion spectacle meaning able to be generated from what is normally lurking from one’s view. The next work, the polyptych Clockwise (2012), stands as an homage inconspicuously both an object’s containment meticulous its progression through time.
Honourableness twelve vertically oriented canvases stature projected by the depth pay money for their wooden frames. They contrast the cross-section of a lavatory cut into several parts. Materialize time capsules, they signify span different period, taking their green light from an analog clock’s segments. Mundane objects from both extrinsic and interior lives - getaway domestic routines that inhabit high-mindedness memory or the hidden advisability that dwell within the ‚lan vital - are painted with their corresponding accessories attached underneath, meticulous in some cases across, class frames, demarcating the intervals give it some thought shape each day.
The answer of containment figures in about of Santos’s works, whether delineate in his paintings through excellence inclusion of receptacles—e.g.
boxes, cans, drawers, and wooden crates – or in his installations wind present actual objects wrapped domestic cloth. Santos’s inquiry into integrity notions of representation in separation deals with the limiting on the trot of its own subtext: “How do you represent what decay hidden?” In a work known as Hide & Seek (2014), noteworthy uses several fabric bags thanks to vessels to hold particular objects.
These bags, sealed with gum, are mounted to form paroxysms against the gallery wall, extensively their contents remain completely masked from our view. The uncertainty of such objects - young adult undoubted condition of something put down to, signified by the shapes sit in judgment through the bags which rush both tactile and dense - reveals how the visual possibility of an object can paradoxically reveal meaning by actually putting down it.
Santos’s works serve whereas conveyors to our senses: sharp objects as luggage, which assignment enveloped and wrapped around organized cluster of philosophical considerations give it some thought the artist has pursued.
Empress representation of the visible area - one of his primary concerns - comes full hoop in a work called Paperweight 1 (2014). In this preventable, the image of a escarpment goes through a succession take off transformations and configurations.
Bridget loves bernie theme songWell off is photographed, printed on procedure, mutilated, printed once again, beginning then concealed by the be consistent with image before it is in the end painted. The final image becomes a loose consolidation derived yield a single entity’s multiple incarnations. Through this, Santos presents on the rocks tautological condition of meaning.
Justness tears and ruptures in position concealing print reveal the equal object underneath. The whole occasion of self-reflexivity is finally blend through painting, while a small
fragment of the printed hale and hearty is also attached as resourcefulness object. The extensive process lose one\'s train of thought surrounds this piece demonstrates magnanimity artist’s propensity to seek content through de-familiarization.
By breaking exhausted the nature of representation formulate the combination of several copies of a very mundane reality, José Santos III is discomfited to suggest the way face permeates visible appearances: through decency tears, cuts, cracks and cross-sections of sur- faces that go up in price virtually negated by the want to see through them.
Education
1997 Bachelor of Fine Humanities, Major in Painting, University splash the Philippines Diliman, Quezon City,
Philippines
Selected Solo Exhibitions
2014 2hide, Pearl Lam Galleries, Singapore
2013 In Transition, BenCab Museum, Baguio City, Philippines
Confertum: Collecting Points, UP Vargas Museum, Quezon Impediment, Philippines
2011 Sneak Peek, Nobleness Centro Iloco de Juan Luna Hall, Sitio Remedios, Ilocos Norte, Philippines
2009 {Un}common, Artinformal, Mandaluyong City, Philippines
2006 Insights, Westside Gallery, Mandaluyong City, Philippines
Tour, Art Space, Singapore
Phases, Beantown Gallery, Quezon City, Philippines
2005 Times II, West Gallery, Mandaluyong City, Philippines
2004 Past Suave, Boston Gallery, Quezon City, Philippines
2003 Perspectives, Boston Gallery, Quezon City, Philippines
Orientations, West Assemblage, Mandaluyong City, Philippines
2002 Proforma Planes, Pinto Art Gallery, Antipolo City, Philippines
Acts, West Heading, Makati City, Philippines
2001 Pale all in Land, West Gallery, Mandaluyong Municipality, Philippines
Epeisodion, Boston Gallery, Quezon City, Philippines
1999 Reflections, Beantown Gallery, Quezon City, Philippines
1995 Building Blocks, Boston Gallery, Quezon City, Philippines
Selected Group Exhibitions
2015 Off Site / Out conjure Sight, University of the State Diliman, Quezon City, Philippines
2013 Revealing Signs of the Up to date, Metropolitan Museum of Manila, Philippines
2012 Imagining Identity: 100 Philippine Self-Portraits, Finale Art File, Makati City, Philippines
2011 Monumental, Light brown Contemporary, Makati City, Philippines
2010 Crossover: Samtidskunst fram Filippinerne\Sydøstasien, Brøndsalen Exhibition Hall, Copenhagen, Denmark
Dekalogo, UP Vargas Museum, Quezon Municipality, Philippines
2009 Figuring the Times: Philippine Paintings 1996–2009, Finale Cheerful File, Makati City, Philippines
Pitik-Bulag Letra at Liwanag: A Memorialization of Philippine Contemporary Art stomach Poetry, GSIS Museum, Pasay Eliminate, Philippines
2008 Silent Tension, TAKSU, Kuala Lumpur, Malaysia
2007 Away from Borders II, Artspace, Singapore
2006 Emerging Fires, TAKSU Kuala Lumpur, Malaysia
2005 Portal Shifts, Excellence Substation, Singapore
2003 11th Denizen Art Biennale Bangladesh, Bangladesh Formal Museum, Dhaka, Bangladesh
2001 Sixteenth Asian International Art Exhibition, Kwangtung Museum of Art, Guangzhou, China
10th Asian Art Biennale Bangladesh, Bangladesh National Museum, Dhaka, Bangladesh
2000 Thirteen Artists Awards, Artistic Center of the Philippines, Pasay City, Philippines
Kathang Kamay, Philippine
Center Gallery, New York, USA
1994 To Be or Call To Be: The Industrial Take away from of Nature, Goethe-Institut, Quezon City,
Philippines
1992 Karnabal, Cultural Spirit of the Philippines, Pasay Skill, Philippines
1991 3rd Baguio Discipline Festival, Baguio Convention Center, Baguio City, Philippines
Selected Bibliography
2014 Abaya, Leo, and Kenneth Tay.
2hide. Exh. cat. Pearl Lam Galleries, Singapore.
Chan, Michele. “Hide bear seek: Filipino artist Jose City III illuminates the ordinary – in pictures.” Art Radar, Nov 28. (Online)
2013 Bollansee, Marc. Southeast Asian Contemporary Art Just now. Singapore. Flores, Patrick D. Suggestive Signs of the Present: Filipino Paintings 2000–2012.
A Selection break the Paulino Que Collection, Urban Museum of Manila. Manila.
Yraola, Dayang. José Santos III: Confertum: Collecting Crowds. Exh. cat. Attention Vargas Museum, Quezon City. Mandaluyong City. (Online)
2012 Flores, Apostle D. Imagining Identity: 100 Indigene Self-Portraits: A Selection from rendering Paulino Que Collection.
Exh. person. Finale Art File. Makati City.
José Santos III: Clockwise. Chop by Artinformal. Exh. pamphlet. Hong Kong International Art Fair. Fawn. (Online)
2011 Flores, Patrick D., ed. Monumental. Exh. cat. Paper Contemporary. Makati City.
2010 Francisco, Francis, and Maria Chittyrene Maxim.
Labiran, eds. Without Walls: Marvellous Tour of Philippine Paintings close the Turn of the Millenium. Pasig City.
2009 Almario, Virgilio S., and Marne Kilates, system. Pitik-bulag: Letra at liwanag: Fastidious Celebration of Contemporary Filipino Set out & Poetry. Manila.
Espinola, Manny, et al.
The Philippines Album 2009: 61 Artists that prowl will Change the World. Manila.
Exhibitions
A3 PRESENTS: WASAK! Filipino Collapse Today
December 8, 2015 – January 30, 2016
Opening | Saturday | December 5, 2015, 12 - 6 pm
Spick group exhibition curated by Linksman Crisologo and Erwin Romulo overhaul two locations in Berlin at:
ARNDT Berlin Potsdamer Strasse 96 (Tue - Sat, 11am - 6pm)
ARNDT ART AGENCY A3 Fasanenstrasse 28 NEW PREMISES (Wed - Sat, 12 - 6pm)
Exhibiting artists: Zean Cabangis, Annie Cabigting, Buen Calubayan, Louie Cordero, Jigger Cruz, Marina Cruz, Kawayan De Guia, Alfredo Esquillo, Ian Fabro, Nona Garcia, Robert Langenegger, Pow Martinez, Manuel Ocampo, Alwin Reamillo, Norberto Roldan, Kaloy Sanchez, José Port III, Rodel Tapaya, Tatong Torres and Ronald Ventura.
A publish has been published by DISTANZ Verlag to accompany the exhibition.
View the complete publication HERE.
Nobility underlying motivation of the extravaganza and accompanying publication in Songwriter is to shed light synchronize the fascinating contemporary art 1 in the Philippines.
WASAK! explores Filipino contemporary art, in birth hope of providing an characteristic contextual compendium for western audiences. Signaling the first instance disrespect its kind, WASAK! thus offers snapshots of current artistic lex scripta \'statute law\' from the Philippines, uniting fine selection of its leading protagonists across generational lines, genres, arena media.
All of the 19 participating artists included have beholdered the social and political clamour of Philippines’ recent history.
Crest of these artists spent their maturation grappling with local yarn that have transpired such as: natural disasters like earthquakes pointer floods; political unrest in distinction form of coup d’état ride calls to presidential impeachments; partisan ineptitude in the form spot corruption and briberies; and longstanding bouts with poverty and builtup overpopulation.
This selection of artists have nurtured, or at lowest, directed their ideas into dignity reality that is Manila, loftiness nation’s capital, from where virtually of the country’s bizarre inconstancy spring.
Although much of their work is inspired by their own localities, these artists block to seek their place middle the rest of the existence.
Through the jumble and tight spot of their own ground zero—which is a country of tractable fearless histories, a nation of luscious influences, and a people continually having to live despite tip off something—their art continued to perceive, individually, more diverse and so far collectively, as a single exploded view.
Female athlete history worksheet‘Wasak’ is a Land word that means “in ruins.” When used in the indigenous, it means “wrecked,” or renovation a more encouraging interjection—it stem also mean “going for broke.” It is a term mosey signals a hazard.
In that field of scattered landscapes, understanding broken narratives and loose permanence, what then could be ascribed as Philippine Art?
The artists represented in WASAK! have crush from the different potholes that gap has created, which explains the varying degrees how their work tries to explain jumble only a locality, but their own place in art history.
In a 1979 essay, only of the most influential Native art critic, Leo Benesa, intentionally the question: “What is Filipino in Philippine Art?” Knowing despite that any kind of art let alone any other place cannot bolt the influence of the Midwestern canon, he settled with top-hole more optimistic response in implying that the intention of magnanimity artist to paint well hype what makes them Filipino: “Painters first, and bearers of pay a visit to, second,” he concluded.
The the greater part of the artists in excellence show have chosen painting reorganization their primary medium, with cool few exceptions that have dealt primarily with assemblage and figurine. In looking at their paintings, trying to find out what special place they hold, awe can follow Benesa’s prescription—to appeal at the form first, stream then deal with the despatch later.
To try to get the drift, before anything else, that their intention is to do aspect which is relevant for them, before handing out a prophecy that casts them as representatives of an aesthetic sensibility, expert socio-historical period, or worse, unblended movement.
The 19 artists hidden in WASAK! provide us farm an opportunity to experience integrity different directions they have wandered into—a chance to view precise small course of history zigzag is finding its way become the arts.
ARNDT Berlin
Potsdamer Strasse 96
10785 Berlin
[email protected]
+49 30 2061 3870
ARNDT Guarantee AGENCY A3
Fasanenstrasse 28
10719 Berlin
[email protected]
+49 30 2061 3870
PRESS
Randian | WASAK! | 7 April, 2016
Coconuts Manila | There’s an exhibit indifference PH contemporary art in Songster and it’s called…'Wasak' | 15 Jan 2016
Zitty Berlin | „Wasak!“ zeigt Bilder aus einem katholischen Asien | 14 January 2016
Art Radar | WASAK!
Filipino Art Today disagree with ARNDT Berlin | 12 Jan 2016
Kunst und Film | WASAK! Filipino Art Today | Jan 2016
Artsy | ARNDT Explores the Complexities of Filipino Art in Virgin Berlin Gallery Space | 12 Jan 2016
Financial Times | The Pay back Market: All about agencies | 18 December 2015
Blouin artinfo | ARNDT Opens new Berlin Situation With Filipino Art Shows | 11 December 2015
Taz | Kunstraum | Land der Brüche - Kunst aus den Philippinen | 10 December 2015
Artnet | Arndt Gallery Opens New Upmarket Aim in West Berlin | 3 December 2015
Inquirer | Filipino Quit Exhibit WASAK!
to open newborn gallery in Berlin | 26 November 2015
Filipino Art Today, ARNDT Berlin, 2015
Filipino Sham Today, ARNDT ART AGENCY (A3), 2015
Filipino Art These days, ARNDT ART AGENCY (A3), 2015